EGO OR INSPIRATION?

William Adolphe Bouguereau (1825-1905) Inspiration(1898)

William Adolphe Bouguereau (1825-1905) Inspiration(1898)

Is it ego that drives me to write every day, the thought of fame and success and a long awaited payday, or is it something else?

Surely if it were purely ego I’d have given up by now, seeing as though I have a family to help support. Is it pride that keeps me from calling it quits and turning my hand to something more profitable? Or is it that writing is a calling, much the same as the urge to be a missionary or a nurse?

Where do my dreams and this overwhelming urge to write come from? Is it ego? Or is it inspiration?

D. H. Lawrence finds in favour of inspiration.

“The creative, spontaneous soul sends forth its promptings of desire and aspiration in us. These promptings are your true fate which is our business to fulfill.”

I’m happy to agree. Our dreams come from somewhere beyond us. Some people dream of having a successful jewellery business, others of winning a gold medal or the lottery.  I dream of writing books that people around the world will read and connect with. According to Lawrence my fate is to follow this dream.

When I first started doing my Masters in Philosophy in Creative Writing at the University of Queensland I used to laugh at us writers being under the banner of philosophy. Now I know it’s exactly where we should be. Writers, more than almost any other profession, spend time alone thinking. We spend an inordinate amount of time in the mysterious realm of the imagination trying to understand what it is to live. We think, and try to create order of the mess we’re all in, to shape something beautiful that others will enjoy. We write so that our readers will see themselves and their experiences reflected in our work in a way that makes them think a little more closely or in a different way.

Surely philosophical issues such as these are best discussed in essays or non-fiction, so why write fiction?

I’ll let Frederic Raphael answer that one. “Truth may be stranger than fiction, but fiction is truer.”  

It is through stories with plots − beginnings, middles and ends − that most people make sense of their lives. We come home and tell each other stories of our days to find perspective and an audience.  It is in the telling of our stories that we order our lives and create meaning.

Writing fiction takes it one step further. Fiction writing enables us to stand aside and let that inexplicable being, the imagination  – or whatever it is you prefer to call it – generate stories that are outside the realm of our experience, that somehow go deeper, are truer.

I write fiction because I love it. Because when I put the ego aside, and let whatever else it is flow through me, stories ego alone couldn’t produce emerge.

Sometimes even beauty.

RETREAT

Is it just me, or does even the word “retreat” make you feel better.

My writing friend Michelle Dicionoski is now at Hedgebrook, a worthy recipient of an Elizabeth George award. I’d never heard of Hedgebrook before but after reading Michelle’s descriptions and viewing the video at their website(click on the about hedgebrook line) http://www.hedgebrook.org/programdetails.php?id=1 it’s now my number one dream destination.

A llama farm on one side, a lavender farm on the other, cottages snuggled into leafy woods, a bath house with a heated floor and clawfoot tub, and four chefs cooking for seven women. What more could a writing working mother wish for (especially one without a bath or a chef!)

The school holidays finished a week ago but I still haven’t managed to glue my bum back onto the writing seat. My yoga studio http://www.freedom-yoga.com.au has been greedy for my time, interstate visitors and the usual demands of a mother’s life plus a complete lack of mojo have conspired to keep me from my manuscript in progress.

Luckily I have the fifth annual Evan’s Head Writers’ Retreat to look forward to. It may not be Hedgebrook or even Varuna but it works well for my best writing buddy Helena Pastor and me. We sit in our little beachside shack and edit each other’s work in a fabulous long weekend of writing, eating treats, swimming, chatting, laughing and sharing successes and rejections.

It’s only three nights, and we always wish it were longer. But it’s enough to refuel our exhausted working writing mother batteries.

Retreat is important for all writers but for writers who are also mothers it is essential.