DROWNING IN DETAIL! Managing Research in your stories

Roy Lichtenstein – DROWNING GIRL

Whether you’re researching historical details for your fiction, or using your own journals for a memoir, there’s a danger that your story will be swallowed by all the information that you’ve uncovered. 

It’s exciting to discover or remember the world you’re writing about, but our job as writers is to figure out which of the multitudinous details we find are the perfect fit for our story.

Researching a place or a period of time can be fascinating, I know. I’ve fallen into that rabbit hole many a time. Hours, days, weeks of writing time can be lost as the lure of ever more information tempts us on until we have a mountain of facts that obscure the shape of our story. 

Don’t get me wrong, it’s important to do this research (though maybe not quite to the extent I’ve done sometimes). We need to understand the world our characters live in. However, we really don’t need to include every little thing we’ve learnt about that world in the story. 

Instead, the knowledge we’ve gathered acts as an informed backdrop to the actions and choices of our characters. If we fall too much in love with all the quirky facts, they can drown out the voices of our characters and kill our story.

The discovery of long forgotten diaries, either your own or a relative’s, is indeed a treasure trove for a writer. But again, fascinating as it all is, not all of those day-to-day details are worthy of being included in a memoir or fiction piece based on them. We really don’t need to know what time you woke up or what you had for breakfast or what you did at work. Unless that workday or breakfast includes a major event that has emotional import, most of this daily grind can be omitted without doing a disservice to your ancestor, or your previous self.

My best advice with managing research, whether personal, historical or geographical, is to spend a week or two reading everything you can get your hands on, immersing yourself in the world you want to write about. But then –

Put that research aside. You can make notes about big moments or life/historical events that will help to shape your story, but apart from that rely only upon your memory once you start writing. Your brain will have absorbed the world and the feeling of the story world, but not all those facts that are irrelevant. Focus on your plot and characters and write your heart out, all the way to the end. 

If you hit a section where you just HAVE to check an historical detail, resist as much as you can. Highlight the sentence or make a note for yourself on the manuscript about the question but be strong and keep focused on the story. Otherwise, you run the risk of being sucked into the vortex of research and losing your momentum.

KEEP WRITING until you type “The End.” Then during your second draft you can check on all those bits you weren’t sure about and find interesting specific details that enhance your story perfectly without overwhelming the reader with an overload of unnecessary facts. 

Research is there to provide a backdrop, not take centre stage. Don’t let it hijack your story!

Hope that helps! Have you been sucked into a vortex of research? 

Let me know if you have any questions.

Lots of love

Edwina xxx

Review of THRILL SEEKERS!

Thrill Seekers!

I wrote Thrill Seekers a long time ago now as part of my Masters degree in Creative Writing. It was created from the stories I needed to get out of my head, the ones that wouldn’t let me sleep at night until I got them out and onto the page.

In 2012, Thrill Seekers was shortlisted for a prestigious New Writing Award alongside such well-known writers as Favel Parrett and Anna Funder. I was just a little bit excited!

Favel Parrett and Edwina Shaw at NSW Literary awards
Moment of award being announced

Thrill Seekers is dedicated to my brother Matthew and his courage and resilience battling adolescent onset schizophrenia. My aim was to keep his memory and essence alive and in the world.

Then just a couple of weeks ago, following Thrill Seekers release as a new imprint by Ransom Publishing in 2019, a fresh review turned up. By someone who really “got it”. And I felt almost as thrilled as when I first heard I’d been shortlisted. Although then, I may have spent a few hours weeping and whispering, “Thank you, thank you, thank you.”

Thrill Seekers was reviewed in Paper Lanterns – a literary journal for all things to do with Teen and YA Literature by Luke Power, who’s my new favourite reviewer because he said great things like this:

Thrill Seekers is a good novel. It isn’t a nice novel, and it certainly isn’t a fun novel, but it’s the kind of novel that grabs you by the front of your coat and shakes you around a bit before dropping you just as suddenly….

Not for the faint of heart and certainly not for the squeamish, Thrill Seekers is a bloody, harrowing, all-Australian tale which is well worth grappling with.” Luke Power

READ THE REVIEW IN FULL HERE!

Enough showing off for me!

If you’d like a copy you can buy it directly from me. Only if you live in Australia though sorry.

Outside Australia you can buy it HERE.

Thrill Seekers
Thrill Seekers original cover

Which cover do you like best? The new one is very snazzy but I’ve got a soft spot for the original because the young man in the image looks uncannily like my brother. Even down to his favourite shirt. It was kind of spooky when I first saw it.

Do let me know if you’ve read Thrill Seekers. It’s a writer’s greatest joy hearing from readers.

With lots of love

Edwina xx