ELECTRICITY FOR BEGINNERS

If you think poetry isn’t for you. Think again.

My friend Michelle Dicinoski has recently released her collection of poems, Electricity for Beginners.

Most modern poetry leaves me cold – too weird and complex. I feel like a I  need a degree in philosophy and cryptic crosswords just to get a handle on them.  Not so Michelle’s work.

With deceiving simplicity she weaves half-magic worlds that are still deeply familiar and moving. Reaching for meaning and a truth that is beautiful.

Here’s a section from her poem, “The City Gauge” about her experience of the recent floods in Brisbane.

 

Soon it will be dawn, soon it will be

weirdly beautiful – the water a foot from the floorboards,

high-set verandahs kissing their reflections,

six-foot fences vanquished – soon we’ll realise we’re trapped.

 

But for now, it’s night, and there’s just

the torchlight, and the radio voices

and the raising things up, the lifting that is like belief :

the best that we can do

            but never high enough.

Michelle’s poems resonate with this kind of beauty but also show her sense of humour and keen intelligence. 

I particularly like

silverware, girlish, shivers in its drawers from “Arterial”.

and  “Off Season at Concord” about her encounter with a statue of Thoreau

I pashed Thoreau

in Massachusetts but

it being winter

and he being bronze

he almost took my lips

(which are large and

wouldn’t suit him).

He stood alone by his shed –

room for a desk and a single bed –

staring hard at his palm as if he’d misplaced something –

a pencil, or an embrace.

Poor dead bugger.

 

When I am dead and famous

build me a statue of

ice or grass – something that

melts or shoots – and let me look up, up

away

not forever down

at my own damned hand.

This is just a taste of the many delights in Electricity for Beginners. “Turf” is another favourite, “Prayer Flags”, “Owl”, “Such Riches”, “Lexicon”, “Rounds”. I love them all. But you’ll have to buy your own copy to read them. It’s available direct from the publisher at  http://www.cloudsofmagellan.net/ or if you’re in Sydney Gleebooks has it too.

Geraldine Brooks

On Wednesday night I went with my friends to see Geraldine Brooks, acclaimed expatriate Australian author of Year of Wonders, March, People of the Book and most recently Caleb’s Crossing. Most interesting was the way she talked about her writing process: doing the research and reading first person accounts until a “Voice” came to her that narrated the story. She didn’t work with any strict plot outline – only the skeleton of historical fact (actually, she said if too much was known about a character or period it stopped her writing about it). Using this skeleton she then worked with the “Voice”who created the details of the plot as the story evolved. Geraldine acknowledged that she knew this voice came from inside herself but still, it’s a common feeling among writers that the characters themselves are writing the story. It’s one of the many delights of the writing game.

By the way, I’ve reopened betting on when Thrill Seekers will actually arrive (being impatient I voted for 2nd August) so if you’d like to be in the running to win a free copy, go to the Thrill Seekers – Wanna Make a Bet page above and make a guestimate.

Interviews coming soon. I’ve got to get through a pile of students’ short stories first.

Love to all,
Edwina