MEN IN SHEDS

Warwick early days

Warwick early days

When my Madman was fifteen he came to work for a farmer called Armstrong in Warwick when homesteads looked much like this. It was workers like my Madman who did all the hard work of clearing and fencing, earning only enough to keep them in food, tobacco and booze to ease their aching muscles.

Young boys of nine were put to work alongside the grown men, sleeping in the barns beside the animals.

When I was doing the research for this book I was astounded by how many men were in prison for sexual offenses against animals. It was easy to imagine the fate that befell the boys who fell in their paths. Boys that kept their secrets and took them to the grave.

A NEW ADVENTURE

screenplay

screenplay

A few months ago I sold the film rights to Thrill Seekers. I was thrilled, as I’ve always envisioned my stories one day being made into films. Once I was sent the screenplay and read it over, I realised that writing the scripts was probably something I could learn to do myself. It didn’t look so scary after all. Then I went to see Gone Girl at the movies and learned that Gillian Flynn had written the screenplay herself based on her novel of the same name. Not only that, she’d made it onto Forbes list of top-earning authors. That’s one list I’d like to be on, one day.

So, after searching the internet for information and scouring the books on script writing I’ve collected over the years, I sat down to make a start on my own screenplay for Dear Madman. Hmm, it wasn’t quite as simple as I first thought.
Much trickier in fact – a whole new art form for me to explore and play with!

Fortuitously, the QLD Writers Centre was offering a Feature Film Writing Clinic with Duncan Thompson, one of Australia’s foremost screenplay editors and teachers of the craft, and I didn’t even need to be an experienced screen writer to join. I did, however, have to submit the first five pages of my screenplay! With a lot of help from my friends I got that together and I’m in! The course starts in ten days and I’m super excited.

I’m fascinated by this new way of looking at story and enjoying every minute I’m working on my screenplay in progress. I’m back at that absolute beginner stage I remember from when I first started writing fiction over 12 years ago. It feels like PLAY and I’m having a ball. Maybe that’s why they call them screenPLAYS?

It’s also keeping me busy, so I’m not compulsively checking emails to see if the publisher has read Dear Madman yet!