Creative Recovery or How to Reboot your Writing Mojo

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Bjelke Blues has been going great guns and I’m thrilled about that. We even scored a review in The Weekend Australian!

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Review of Bjelke Blues, Weekend Australian 9/10 November 2019

Thanks to everyone who’s been buying copies. It’s been a huge year’s work, collecting and editing the work of 44 other people, then promoting and marketing the book as well. On top of it all, I caught the dreaded lurgy which drained the very last of my own creative energy.

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But I had a screenplay to write. Due at the end of the month. I sat down at the computer and searched my brain, my heart, but I had nothing left to give. I was done! An empty well without a drop of inspiration. I’d pumped myself dry.

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Most creative people experience patches like this. Some call it writers block. Others, burn out or exhaustion. I run retreats helping other people to find their creative selves, but in the meantime I’d lost my own.

How was I going to find it again?

Luckily I’ve got a few tricks up my sleeve. Hope they’ll work for you too.

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  1. The Artist’s Way by Julia Cameron – regular readers of my site will know that this is the book that started me writing. It’s still the first place I turn when I need to reboot my writing mojo. Working my way through the exercises slowly but surely ideas started to flow again. My favourite affirmation this time around is “Through the use of a few simple tools my creativity will flourish.”

 

  1. Take the pressure off. When I start thinking about my writing tasks as hard work then I know I’m in trouble. Writing is fun! I love it because I get to muck around in my imagination, make stuff up and play. So get that “life is a serious business” frown off your face and lighten up!
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Put on your happy face!

  1. Get into nature. Take your journal and a pen and just sit with your back against a tree or look out to the sea or listen to the birds a while, then write down everything you see, feel, hear, smell, taste. Free write for no other reason than to record that one moment in time.
The Reader Crowned with Flowers, or Virgil's Muse, 1845 Jean-Baptiste-Camille Corot

The Reader Crowned with Flowers, or Virgil’s Muse, 1845 Jean-Baptiste-Camille Corot

  1. Buy yourself a treat. It’s best of course if it’s something to do with your writing/art form like a new book on writing, a novel you’ve always wanted to read, a new set of colouring pencils or a recorder, but any treat will work just as well. I bought myself a mattress topper. I love it so much I think I’ll marry it!
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    I love my mattress topper!

     

  2. Do something you don’t usually do. Paint a picture, climb a mountain, go for a swim. I played the piano. I had lessons for years as a child but these days I rarely play. The other day I sat down and learnt a new piece. It made me feel very happy.
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Happiness

  1. Give yourself some proper time off to do NOTHING. Yes, I mean nothing. For some of us that’s really hard to do. Luckily for me, I was babysitting my brother’s kids in Dubbo and my internet wasn’t working so time off was forced upon me. I read. A lot. Talked to the kids. Went for walks. And guess what? Ideas for my screenplay started to flow in like magic.
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Like magic!

  1. Give yourself permission to write absolute crap (or do a shitty painting- whatever). Then sit down and get stuck in.

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If you’ve completely pumped yourself dry it will take a bit of time to fill your well to a point where you’re ready to produce again. Be gentle with yourself. Gentle is my new favourite word – the world right now needs a whole lot of gentleness.

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My secret writer’s block buster is meditation! Those or you who’ve attended my workshops will know how helpful some brain clearing and positive visualisation can be for rebooting your creative mojo. At my latest retreat my friend Maria recorded my guided meditation for busting through the inner critic and building creative confidence. Try the guided meditation and see how it can free up your writing. Let me know how you go.

I got my screenplay done and it wasn’t even crap. Once I started writing it was great fun to do.

Good luck with your own reboot. What are your favourite tricks, techniques to help unblock? I’d love to hear about them.

Happy writing – or just lying around dreaming 🙂

Lots of love

Edwina  xx

BJELKE BLUES

 

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My new book Bjelke Blues  – Stories of Repression and Resistance in Joh Bjelke-Petersen’s QLD 1968 – 1987 (ANDALSO BOOKS 2019) is about to be released. 45 stories essays and memoirs collected and edited by – guess who? Wonderful stories by wonderful writers including a foreword by Matt Condon, stories by Nick Earls and Miles Franklin winner Melissa Lucashenko, historian Raymond Evans, comedian Mandy Nolan, Indigenous activists Sam Watson and Bob Weatherall, UQ agitator Dan O’Neill, musician John Willsteed and many, many more.

Joh Bjelke-Petersen – a hill-billy peanut farmer whose formal education finished when he was 12 – ruled my home state of Queensland from 1968 to 1987. For me and for all of my generation that meant that for us growing up he was some sort of weird king – the ruler of the ‘country’ of Queensland he called his own. Several times he tried to secede Queensland from Australia to make it his own kingdom. He would have loved that.

For almost 20 years he stayed in power, despite receiving only 20% or so of the vote through a notorious gerrymander. He drew electoral boundaries around left-leaning areas in wiggly jigsaw-patterns around the state. Funding went first to areas that voted for his party, then to the other members of his right-wing coalition, leaving next to nothing for Left wing Labor electorates. He used the police force as his own personal army giving them unprecedented powers to enter properties under the infamous Health Act. Bjelke used taxpayers’ money to fund his personal vendettas through the law courts. He once sued every member of the opposition party for defamation. Heard enough yet?

And through all of this obvious corruption – I won’t go into the rape of the environment, jobs for mates, and the police and government corruption that eventually brought about his downfall – through all of this, he appeared on television every night with his peanut-shaped head and blotchy skin, smiling crookedly, bewildering and amusing journalists with his own special brand of obfuscating banter. Remind you of anyone in power now? ‘Don’t you worry about that!’

Every night, just like Trump, Joh provided sound grabs that the media loved, and infuriated others. Still today though, many older people maintain a fondness for Joh, and believe he knew nothing about all the corruption and wrongdoing, the bribes. This is despite Joh narrowly escaping jail time on a technicality for his part in the corrupt activities of his government. Well-meaning people like my mother, who say, ‘Oh but darling he did a lot of good things too.’

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I first started to doubt the God King of Queensland in my early teens when he referred to a female journalist as “girly”. How I hated that word! Then he told her not “to worry her pretty little head about that.” My blood boiled. In Australia’s other states and in other countries too, Joh was seen as a laughable buffoon, a joke. But life under Joh was no laughing matter.

In my mid-teens as a baby punk, life under Joh was downright dangerous. In the early 80s, Brisbane city streets were completely empty after six at night – eerily empty. A ghost town. The only cars were police wagons that cruised the city blocks slowly like fat lazy sharks waiting to be fed. Waiting for someone who didn’t fit their idea of normal to step out of a bus – blacks, punks, hippies, greenies, queers, women. We all copped it. It was part of an average night out to be pulled over and interrogated just for looking different. You didn’t have to do anything wrong. They didn’t need an excuse. They were Joh’s personal army and their power was never questioned.

 

We learnt to never carry ID, to give false names and most of all not to be cheeky. It was hard though – Joh’s police were mostly so very stupid that most of the time they didn’t realise you were taunting them. But if they twigged – watch out! Queensland police were famous for late night bashings, especially of black people and gays. They’d take gay men up to Mt Coo-tha, bash them senseless then leave them for dead. They took young black people on long drives out to the edge of the city and left them there to find their own way home. They raided punk venues and gay clubs; batons raised. Hated hippies with a passion. Police bashings were so common they went unreported most of the time. Besides, who were we going to report them to – the police?

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Drug busts became a weapon in Joh’s hands – a way of terrifying and controlling young people and the ‘intellectual Nancies’ he hated. The workers, the strikers, the students. Whoever he didn’t like. Under the Health Act your house could be raided at any time, turned upside down (read my story about getting busted here) and drugs planted. Drug offences carried heavy penalties for miniscule amounts, including jail – in Boggo Rd one of Australia’s most notorious prisons at the time.

Joh’s violent tactics against outsiders created a mass exodus to the south with some of our best and brightest intellects and creators leaving, never to return. Escaping Joh and his police thugs.

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It was a dangerous time to be young and different, but a whole lot of good came out of those years too. Our fight against a common enemy united many disparate groups that aren’t so united now and weren’t then elsewhere either. ‘Women, Workers, Blacks Unite!’ was one of the old street march chants. Queers and punks and artists and hippies and students too. Anyone who didn’t fit Joh’s fascist ideal of Christian youth was a target. Just being a university student was enough to brand you a troublemaker and a deserved victim of police raids. We all had files with our names on them. We were watched. Notes were taken. They knew where we lived. But still, even when it became illegal to gather in groups larger than three, we gathered to protest.

The University of Queensland was a centre for opposition to Joh’s repressive policies and through the leadership of people like Dan O Neill and Sam Watson (both contributors to Bjelke Blues) generations of young Queenslanders were politicised and radicalised. We all learnt what it was like to be branded “other” and joined forces with our “other” brothers and sisters. As Sam Watson says in his essay ‘An Equal and Opposite Force’ in Bjelke Blues:

Joh was a tyrant, and he was a criminal. He personified all that we were fighting against. But I’ll at least acknowledge, in that old basic physics formulae about every force being balanced by an equal or countering force, that perhaps if we had have come up against a lighter, less extreme political opponent, we may not have developed into the sort of freedom fighters we have become.

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Through his oppression, Joh created formidable opponents.

Forced underground, our art, theatre and music became radical, unique, and ended up influencing the world. We marched together side by side, punks and hippies, black and white, women and men, straight and gay, unionists, labourers and students, ladies in hats and gloves, priests and university lecturers. We marched side by side even after Joh banned marches and arrested protestors in their hundreds. We stuck together. “The people united will never be defeated!”

Joh gave us a common enemy that bonded us more than any benevolent supporter could have done. He created a close-knit family of outsiders and politicised us all. We certainly knew we were alive as we linked arms and faced off against the sea of blue shirts coming at us in waves, batons raised.

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And today as Trump echoes and amplifies many of Joh’s worst traits there are lessons to be learnt here.

The people united will never be defeated!

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For more information of what it was like living in Queensland during the Bjelke-Petersen regime read the book!

Available in all good independent bookstores after August 23. Request it from your local store if they don’t have it. Available for pre-order here

Bjelke Blues  – Stories of Repression and Resistance in Joh Bjelke-Petersen’s QLD 1968 – 1987

Come along to the launch on August 23 at Kurilpa Hall West End 6 pm start. RSVP to attend.

Or

Join us at our special panel event at the Brisbane Writers Festival, Sunday September 8, 2 pm

Or

If you can’t make those, don’t worry we have another night full of speakers and fun at the wonderful Avid Reader Bookstore in West End on September 24, 6pm start.

If you’d like to learn more about the downfall of Joh’s government and the police and government corruption that was finally exposed, I highly recommend Matt Condon’s marvellous trilogy Three Crooked Kings, 2013, Jacks and Jokers, 2014,All Fall Down, 2015 and his latest about the criminal underbelly that thrived under Joh The Night Dragon, 2019

Matt wrote the foreword for Bjelke Blues and knows more about the dark hidden history of the Joh era than anyone.

Hope to see you at one of our events. A launch in Sydney is also on the cards.

Do come and say hello!

Edwina xx

 

The Magic of Magnetic Island

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Oh yes, it really is that beautiful! I arrived home last night from a wonderful extended stay on Magnetic Island, just off the coast from Townsville in North Queensland. Wish you could have been there too! Traditional home of the Wulgurukaba People and a true piece of paradise.

We had so much fun on retreat. A fabulous group of writers, from absolute beginners to those with books under their belts. Now freshly-minted mermaids!img_3710.jpg

It all started with drinks on the verandah with tame blue-winged kookaburras eating out of our hands. Those beaks were a bit scary!

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Champagne still in hand, workshops started and writing dreams began to take shape.

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Then dinner up at the Amaroo restaurant with all the gang : )

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Mornings were filled with yoga and dance with our resident dancing queen Lalita Lakshmi!

Then we got stuck into the business at hand – writing! With two writing workshops covering all the basics and focusing in on character development to shape plot we were plenty busy enough. We got lots of writing done and had masses of information to absorb, so we needed our princess naps in the afternoon.

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Some  retreaters took advantage of the extended break and explored the beautiful island and had a walk and a swim.

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Dinner on Saturday night was at Bikini Tree Restaurant where my friends Jen and Dan had prepared a delicious and plentiful Indian feast.

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Even though we were stuffed to the gills (as mermaids get very hungry!) we managed to rouse ourselves for my personal highlight of the retreat  — candle dancing on the beach! The photo is blurry but you get the general idea of the fun of it. Lalita led us all in a joyful and playful celebration of life. I’m definitely keeping Lalita and dancing as part of the retreats.

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Sunday and more yoga and dancing and deep relaxation, some goal setting and another favourite part of the retreats, collage! Some collages were fun, some surprising, and others full of wonderful wishes that I hope all come true.

After farewelling all the lovely retreaters, my friend Vahida and I stayed on at Magnetic for another week, working on our own projects. Then Vahida left too, and I worked on in paradise editing a book for a friend of mine who lives on the island. Took the manuscript to the beach and worked on the sand : ) Yes! It’s not a bad life.

So now I’m home and back in the saddle, ready for more.

Life Writing Workshop this weekend at the CYA Conference Everything is a Genre Day. For the weekend (or day) ticket you get as many fabulous workshops as you can handle.

The following weekend I’m presenting Building Your Career as a Writer, at the QLD Writers Centre. You can come along in person or participate online as the session is streamed. I call this workshop – Many Fingers Many Pies, because it’s all about how to make money writing or doing things related to writing. We all have bills to pay, but it’s very nice to pay them by doing what we love.

And on Saturday 20 July I’m at Sunnybank Hill Library for a FREE WORKSHOP on the basics of creative writing. Would love to see you there. Come along and say hi : )

While I was away I also received feedback on my feature film screenplay from a Los Angeles script editor, so I’ll be busily redrafting over the next few months. Cross fingers it makes it to the big screen.

Coming soon is the launch of Bjelke Blues, a book of stories about life in Queensland under Premier Joh Bjelke-Petersen, that I’ve been collecting and editing for AndAlso Books. Super excited about that. It’s heading to the printers very soon. As soon as I have the cover I’ll be showing it off. Launch is booked for Friday August 23. More on that later,

Next retreat is set for November 8 – 10 at Burleigh Heads. I’m designing it as dual purpose.

A planning and writing retreat to super boost people doing NANOWRIMO.

And for those women with a finished manuscript (or almost finished) already done, a feedback and redrafting weekend, with personalised feedback from me on the first 10 pages and your synopsis and also feedback from a small group of your peers. That way you get to talk about the book you’re working on with people who understand just how much work you’ve done and how precious your project is.

If you’d like more information about the Burleigh Retreat, would like to secure your spot, or just sign up for newsletters to keep you up to date with the retreats or to receive my hints, tips and opportunities GET IN TOUCH.

Hope to see some of you soon at one of the workshops.

Happy Writing till then!

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Lots of love,

Edwina xx

 

CREATING SPACE FOR YOUR WRITING

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Are you lucky if you get a corner of the kitchen table to write on? Do you have to squeeze your writing in between all the things you have to do to look after everyone else and pay the bills?

You’re not alone!

Whole books can be written on kitchen tables between shifts and child care, but let’s face it – not very many.

Women writers deserve time and space to write. It can be difficult to achieve when working and with a young family to care for, but it can be done!

When I first started writing in earnest back in 2002, I wrote sitting at a corner of the kitchen table. But that was pretty messy.  Then I found a spot in the hallway, right at the end, where I could squeeze in a tiny desk and a chair and my computer. It felt like a huge achievement and a wonderful space of my own.

2db387c51ec6dac579c24f3a4c7323ccI worked part time and had two children under five, but on the days I wasn’t at work and the kids were down for their naps, I wrote like a fury! I was crazy with stories back then shouting at me to be told. I couldn’t wait to get to my desk and madly type all the stories and plot turns that I’d been thinking about the whole day.

Often at night as I read the children their bedtime story, I’d find myself reciting the stories in my head rather than the book we were reading. Let’s just say the words didn’t match the pictures!

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I’m sure I looked just like that 😀

For the last several years though, I’ve taken up a whole lot of space in the lounge room. I put a couple of desks in one corner to create my own L shaped desk, created semi-walls around me with bookshelves, and a friend found an Indian screen that closed off the other side. I may not have a door I can close, but when I’m in my little writing nook it feels private and, most importantly, it’s a safe space where I can write and create.

These days, it’s where I spend most of my time. I’ve worked hard so that the work I now do is all related to the writing I love. My children are both young adults and can take care of themselves. Writing time is mine to claim.

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But it isn’t just the physical space for writing that you need, it’s the time!

How do you find space in your busy life for your writing?

My friend Helena, likes to set her alarm and wake up at 4, sit up in bed with her coffee and write for a few hours before her children wake up and the day begins. She’s made of tough stuff.

Night owls stay awake after the children have fallen asleep and write into the wee hours.

Other writers I know give themselves one day a week where the children go to Grandma. That day they sit and write like bullet trains.

It helps if you can train yourself to ignore the housework. A messy house is the sign of a creative person!

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Though I do find washing a good way to make sure I leave the computer and have a stretch before immersing myself in work again.

What I learnt from my training as a new writer with small children, is that you can accomplish a lot in a short amount of time. The pressure of a very limited time frame forces you to pump out the words as fast as you can without being overly fussy about whether they’re the right ones. That can always be fixed later.

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Where in your day can you find an hour, or even half an hour? Ten minutes?

Any amount of time you spend doing what you love, what your heart desires is time well spent. And all those little bits add up.

That year I first started writing during my kid’s hour-long nap time, I finished the draft of a 100 000 word novel.

Great things can be achieved in small bursts. People who’ve attended my writing workshops know just how much you can write in as little as five minutes.

It can be done!

Claim yourself a corner that is yours, just yours. For writing.

Then figure out how you can steal an hour, half an hour or even a few minutes from your day to spend doing your writing. Get up half and hour earlier. Don’t watch the news, write instead. Write during your lunch hour. During nap time. Before bedtime. After.

Anytime you can find for yourself is perfect.

How do you create space for your writing? Have you made yourself a special corner to write in? How do you find time to write in your busy days?

Share your ideas in the comments. All hints and tips are very welcome!

Good luck finding space for your writing this week!

Lots of love,
Edwina xx

 

 

 

 

What is a writer’s “VOICE” and how to find yours

 

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When I first started writing I kept hearing this mysterious term, “voice”, mainly in the many rejections I received. Publishers would inevitably say something along the lines of, my “voice wasn’t developed.” It drove me mad. What did they mean? It was me writing, not anyone else. It took me a while to figure out that voice in creative writing terms just means a writer’s own particular style.

Put simply, which is how I like things, it means unadulterated plain old you on the page. Not you trying to be smarter or funnier or fancier than you are. Just you – the way you would talk to your best friend, the way you’d write a letter to someone who’s known you all your life. In my work with new writers I often come across people who think they have to use a whole lot of big words and mountains of adjectives and metaphors to sound “Writerly”. Which brings me to my first point.

Forget about being Writerly!

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Fancy may work for some people who are born that way, or lived a hundred years ago, but these days it’s best just to write as you would speak. Of course you can throw in the occasional unique metaphor and fabulous big word, but most of the time keep it simple.

YOU are enough just the way you are.

Yes, that’s you. Your life and all you’ve lived and who you’ve become because of it is totally unique in the whole world. No one else can write your stories because only you can tell them in your own special way echoing all those experiences. If you grew up swinging around on a hills hoist washing line being sprayed with a hose, the story you tell about childhood is going to be very different to the person who slammed face first into a tree in a tobogganing accident. Claim who you are and let that shine through. The specific details of your life can reveal universal truths.

Once you’ve claimed your voice, everyone who reads your stories will say, “Oh that’s so and so, I’d know her voice anywhere.” Editors will accept your work for publication and say, “Great unique voice”. YES! That’s what we’re aiming for.

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But how to do it?

Read on.

TOOLS for developing your unique voice

1. Free writing

Write whatever comes into your head, stream of consciousness style. No stopping, don’t let your pen leave the page. Set a time for five minutes and just go for it, no editing, no fiddling with grammar, no checking spelling. If you don’t know a word then just put a question mark beside it. Even if you’re only writing “I don’t’ know what to write, this is silly, that’s fine. You can complain as much as you like, just keep writing. Find a writing prompt, set a timer, and go for your life. Write as fast and as much as you can in those five minutes. You’ll be surprised what you can do. Get used to writing rubbish 😊 Once you’re used to that, then you’re free to go! You will need to edit what comes out later, but just think of all the words you’ll have to play with.

2. Keep a journal

Use the free-writing technique to write a journal. Every day write at least an A4 page by hand, letting words flow off the top of your head onto the page. The more you write, the more natural your voice becomes. If you are too busy to do this every day, every second day will do. Writing, like anything else, is all about practice. The more you practice the better you get. The more you get used to writing completely naturally without thinking about sounding flash or clever, the more your natural voice will emerge.
3. Look at emails, letters or texts you send friends – are they different to the way you’ve being trying to write stories/ poems etc? Do you sound like you? If you feel uncomfortable writing in any form it may not. But I’m guessing if you’ve picked this book up then you’re a writing kind of a person and those messages to your friends and family are lighter and more natural than the artificial voice you may have been trying to put on for your writing. Next time you write a story pretend you’re writing to a friend instead of some imaginary publisher.

3. Look at emails, letters or texts you send friends

Are they different to the way you’ve being trying to write stories/ poems etc? Do you sound like you? If you feel uncomfortable writing in any form it may not. But I’m guessing if you’re reading this up then you’re a writing kind of a person and those messages to your friends and family are lighter and more natural than the artificial voice you may have been trying to put on for your writing. Next time you write a story pretend you’re writing to a friend instead of some imaginary publisher.

4. WRITE!

Write every day, whenever you can. Scribble down what you see while you’re on the bus. Who is that strange woman in the purple hat and too much pink lipstick? What’s her story? Play with your imagination. Write down your dreams and give them another chapter. Fill notebooks with lots of messy writing about anything that takes your fancy. Write until it comes naturally.

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Have you found your voice yet? How do you know? I’d love to hear from you if you’d like to leave a comment.

If you’d like to receive more writing hints and tips, drop me a line here.

And if you’d like a whole weekend of writing and yoga to get those creative juices flowing then see HERE for my next retreat.

Until next time – HAPPY WRITING!

Lots of love

Edwina xx

“HELP!!!!” she screamed loudly. Do’s and Don’t’s for Writing Good Dialogue

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Dialogue is the most immediate mode of expression in writing prose. Used correctly it brings your writing to life, be it fiction, memoir, creative non-fiction or even personal essays. It’s importance in screenplays is vital. Done well, dialogue can move the plot forward, build multi-dimensional characters and add layers of complexity you didn’t even know were there.

However, it can be notoriously tricky, and some new writers find it so difficult to manage that they avoid it completely to the detriment of their writing. So here are some of my best tips for writing effective dialogue.

DOKeep it short and sweet – or not so sweet. While there is sometimes a place for a poetic monologue the best advice I’ve ever been given is LESS IS ALWAYS MORE. Cut the beginnings and endings of your dialogue sentences. Cut excess sentences altogether. How can you say it with less? How can you almost say it, so the reader has to fill in the blanks themselves?

DON’TUse dialogue to explain or describe what went on in a previous scene. If a reader has read that scene, they’ll get it. If the dialogue isn’t adding a radical new viewpoint, or revealing information we didn’t already know, then never ever look back!

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DOMake sure the reader knows which character is speaking. The easiest way to do this is with proper punctuation and speech tags.

Each first line from each speaker is indented and the dialogue itself is enclosed in quotation marks. For example:
1.         “How do I punctuate dialogue?” Julie asked.
2.        “That’s simple,” said Edwina. “Find a good book that uses classical punctuation and follow their lead. The main rule is to put your punctuation marks inside the quote marks and to indent the first line but not the others.”

You don’t need to use classical punctuation, but it makes dialogue much easier to read. Some modern authors eschew it and use italics or other forms of punctuation, but I often then find it hard to tell who’s speaking and get frustrated. Suit yourself, just make sure it is clear who is speaking.

DON’TGo all fancy pants with your speech tags. “Said” is almost always best. It becomes invisible to the reader. Words like murmured, stammered, shouted, protested, and argued have their place, occasionally, but are best avoided. “Lied” is an exception. Keep it simple superstar!

DOGround your reader. This is good to keep in mind throughout your whole story, but especially in long stretches of dialogue when your characters can become talking heads floating in space. Even if they are floating in space, most especially then perhaps, slide in a few words describing setting or actions, that place the conversation in a context.

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DON’TPut everything in. If your characters are out for dinner, for example, we don’t have to read their whole conversation about what they’ll order, and their interactions with the wait staff, unless this contributes to character development or plot somehow. If it’s boring in real life, it’s extra boring on the page. Writer friends of mine have learnt this the hard way by transcribing recorded conversations. Your job as a writer is to trim out the boring bits and leave us with the juicy titbits!

DODifferentiate the speech patterns or habits of each character. After a while your readers should be able to tell each character apart from the way they speak. If your characters are all from similar cultural backgrounds this can be trickier, but if you listen in on conversations around you (put in your earphones, but don’t have your music on, and eavesdrop to get an idea of how people differ) you’ll see how we all have our own individual tics.

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DON’T Use capitals to indicate shouting, that’s what an exclamation mark is for.

DOUse character actions beside their dialogue to not only indicate who is speaking but to add to the tone or develop an undercurrent of meaning. For example:
1.          “What time is it?” Joan lifted her head from the pillow.
And      “What time is it?” Joan threw the saucepan full of cold soup at Brian’s head.

DON’TUse adverbs unless absolutely necessary. If you’ve done everything else right you just don’t need them.

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Here are the links to a couple of stories that use dialogue exceptionally well for you to get an idea of just how effective it can be.

Denis Johnson, “Steady Hands at Seattle General” – it doesn’t use classical punctuation, but it’s genius at creating an entire story almost solely in speech.

“Reunion” by John Cheever. It hasn’t indented the first line of each speaker but again, the dialogue demonstrates character in a way nothing else can.

Try writing your own story almost all in dialogue. Make it a hospital story like Denis Johnson’s or a reunion like Cheever’s.

Let me know how you go.

If you’d like more hints and tips on writing see my post here

or CONTACT  me HERE to get regular (but not too regular!) writing advice and news.

And if you’d enjoy a whole weekend full of learning about writing then come along to my next retreat, More information HERE.

I’d love to have you along.

Lots of love,
Edwina xx

BJELKE BLUES

Bjelke bananaanti joh marchThe man inside the banana needs no introduction to those of us who grew up in Queensland, the sunshine state of Australia, during the Joh era.

He is Joh Bjelke Petersen,  the premier of QLD from 1968 to 1987, which meant that he was in power for almost all of my formative years. He was also the leader of what has been exposed as one of the most corrupt and brutal governments in Australian history. Joh was famous for his country-style witticisms “Look like a crow, fly with the crows, don’t complain if you get shot!” and for his fierce anti-union sentiments and appalling attitudes towards women “Don’t you worry your pretty little head about that!”

street march police

Under his rule Queensland became a police state where surveillance, harassment, beatings and outright brutality were every day occurences. As a teenager I was often stopped and questioned by police in the city as soon as I got off the bus, just for looking different. The Special Branch had files on just abut everybody, particularly if your hair was too long or too short, or God forbid – you went to university or belonged to a union.

Some good came out of living under this repressive regime though. Disparate alternative groups united against a common foe. Incredible creativity flourished as artists, musicians, actors, dancers and writers used their talents to expose the corruption and violence. We all lived in fear though and many people fled the state, scared for their livelihoods, and sometimes their lives.

Now however, all these years later, it’s safe enough to tell our stories.

For a long time I’ve been wanting to bring together a collection of stories from this era, detailing the reality of living in Queensland during the Joh years. I’m thrilled to announce that AndAlso Books, a small independent Brisbane publisher, is just as excited by the project as I am and publication is slated for September 2019.

We’re calling for submissions from anyone who lived in Queensland during the 70s and 80s and has a good Joh story to tell. If that’s you, please leave me a message and I’ll send you more information.

Pieces can be as short as 300 words or as long as 3000. Anecdotes, memoirs or fictionalised accounts are all welcome. Pitch ideas by 15 Jan 2019, with full drafts due by 25 February 2019.

Great stories are already pouring in. It’s as if I’ve unplugged a dam that was just waiting to burst. Looking forward to seeing what you come up with!

female protestor