RELAX AND WRITE IN PARADISE!

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Escape the winter blues! Come and join us at the next Relax and Write Retreat on MAGNETIC ISLAND! Yes!! JUNE 21 – 23 2019

Just off the coast of Townsville in tropical far north Queensland we’re practically guaranteed sunshine and warmth and turquoise waters, just like these.

I’ve stayed on Magnetic Island – or Maggie as the locals call her – a few times over the past few years. It’s a magical place with giant boulders, pine trees, coral reef to explore and glorious unspoilt beaches.

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That’s not me in the picture by the way : )

We’ll be staying in air-conditioned comfort at Amaroo on Mandalay – a whole lot comfier than the dorms we’ve been used to! Air-conditioned twin share or a room to yourself, balconies and kitchenettes, beautiful tropical gardens and even a magnesium swimming pool and a bar!

Not that you’ll need your kitchenettes much, as all meals except lunches are catered for, including a fabulous Saturday night Indian feast by the beach.

Most exciting of all, my fabulous Creative Dance teacher, the lovely Lalita Lakshmi, is joining us for the morning yoga and movement classes and a special dance session on the beach on Saturday night!LALITA PHOTO la swirly

Four writing workshops are included, covering all the basics of creative writing, whether you want to write fiction, memoir, poetry or for the screen or stage. So be ready to get stuck into your stories. Let me help you get them out of your head and onto the page.

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Brian at Amaroo has offered retreaters fantastic rates on extra nights, so extend your stay and relax into writing after all the workshops.

Enjoy the sun and the beaches and the company of all the wonderful new friends you’ll make on retreat.

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Treat yourself to this weekend away in the sun to write and swim and rediscover your creativity and sense of joy.

All this fun and learning for only $550 pp twin share or $660 for a room of your own!

Or if you pay before May 31st 2019

Just click here to pay $520 twin share (just email me to let me know who your’e sharing with)

Or $630 for a room of your own.

Find more information at the Facebook event page.

Or get in touch with me for all the details and to book.

Don’t miss out! Places ares strictly limited to only 15 participants and they’re filling up fast.

We always have a wonderful time. Hope to see you there!

lots of love,

Edwina xx

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Put yourself in this picture! : D

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CREATING SPACE FOR YOUR WRITING

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Are you lucky if you get a corner of the kitchen table to write on? Do you have to squeeze your writing in between all the things you have to do to look after everyone else and pay the bills?

You’re not alone!

Whole books can be written on kitchen tables between shifts and child care, but let’s face it – not very many.

Women writers deserve time and space to write. It can be difficult to achieve when working and with a young family to care for, but it can be done!

When I first started writing in earnest back in 2002, I wrote sitting at a corner of the kitchen table. But that was pretty messy.  Then I found a spot in the hallway, right at the end, where I could squeeze in a tiny desk and a chair and my computer. It felt like a huge achievement and a wonderful space of my own.

2db387c51ec6dac579c24f3a4c7323ccI worked part time and had two children under five, but on the days I wasn’t at work and the kids were down for their naps, I wrote like a fury! I was crazy with stories back then shouting at me to be told. I couldn’t wait to get to my desk and madly type all the stories and plot turns that I’d been thinking about the whole day.

Often at night as I read the children their bedtime story, I’d find myself reciting the stories in my head rather than the book we were reading. Let’s just say the words didn’t match the pictures!

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I’m sure I looked just like that 😀

For the last several years though, I’ve taken up a whole lot of space in the lounge room. I put a couple of desks in one corner to create my own L shaped desk, created semi-walls around me with bookshelves, and a friend found an Indian screen that closed off the other side. I may not have a door I can close, but when I’m in my little writing nook it feels private and, most importantly, it’s a safe space where I can write and create.

These days, it’s where I spend most of my time. I’ve worked hard so that the work I now do is all related to the writing I love. My children are both young adults and can take care of themselves. Writing time is mine to claim.

Edwina's Writing space

But it isn’t just the physical space for writing that you need, it’s the time!

How do you find space in your busy life for your writing?

My friend Helena, likes to set her alarm and wake up at 4, sit up in bed with her coffee and write for a few hours before her children wake up and the day begins. She’s made of tough stuff.

Night owls stay awake after the children have fallen asleep and write into the wee hours.

Other writers I know give themselves one day a week where the children go to Grandma. That day they sit and write like bullet trains.

It helps if you can train yourself to ignore the housework. A messy house is the sign of a creative person!

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Though I do find washing a good way to make sure I leave the computer and have a stretch before immersing myself in work again.

What I learnt from my training as a new writer with small children, is that you can accomplish a lot in a short amount of time. The pressure of a very limited time frame forces you to pump out the words as fast as you can without being overly fussy about whether they’re the right ones. That can always be fixed later.

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Where in your day can you find an hour, or even half an hour? Ten minutes?

Any amount of time you spend doing what you love, what your heart desires is time well spent. And all those little bits add up.

That year I first started writing during my kid’s hour-long nap time, I finished the draft of a 100 000 word novel.

Great things can be achieved in small bursts. People who’ve attended my writing workshops know just how much you can write in as little as five minutes.

It can be done!

Claim yourself a corner that is yours, just yours. For writing.

Then figure out how you can steal an hour, half an hour or even a few minutes from your day to spend doing your writing. Get up half and hour earlier. Don’t watch the news, write instead. Write during your lunch hour. During nap time. Before bedtime. After.

Anytime you can find for yourself is perfect.

How do you create space for your writing? Have you made yourself a special corner to write in? How do you find time to write in your busy days?

Share your ideas in the comments. All hints and tips are very welcome!

Good luck finding space for your writing this week!

Lots of love,
Edwina xx

 

 

 

 

What is a writer’s “VOICE” and how to find yours

 

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When I first started writing I kept hearing this mysterious term, “voice”, mainly in the many rejections I received. Publishers would inevitably say something along the lines of, my “voice wasn’t developed.” It drove me mad. What did they mean? It was me writing, not anyone else. It took me a while to figure out that voice in creative writing terms just means a writer’s own particular style.

Put simply, which is how I like things, it means unadulterated plain old you on the page. Not you trying to be smarter or funnier or fancier than you are. Just you – the way you would talk to your best friend, the way you’d write a letter to someone who’s known you all your life. In my work with new writers I often come across people who think they have to use a whole lot of big words and mountains of adjectives and metaphors to sound “Writerly”. Which brings me to my first point.

Forget about being Writerly!

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Fancy may work for some people who are born that way, or lived a hundred years ago, but these days it’s best just to write as you would speak. Of course you can throw in the occasional unique metaphor and fabulous big word, but most of the time keep it simple.

YOU are enough just the way you are.

Yes, that’s you. Your life and all you’ve lived and who you’ve become because of it is totally unique in the whole world. No one else can write your stories because only you can tell them in your own special way echoing all those experiences. If you grew up swinging around on a hills hoist washing line being sprayed with a hose, the story you tell about childhood is going to be very different to the person who slammed face first into a tree in a tobogganing accident. Claim who you are and let that shine through. The specific details of your life can reveal universal truths.

Once you’ve claimed your voice, everyone who reads your stories will say, “Oh that’s so and so, I’d know her voice anywhere.” Editors will accept your work for publication and say, “Great unique voice”. YES! That’s what we’re aiming for.

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But how to do it?

Read on.

TOOLS for developing your unique voice

1. Free writing

Write whatever comes into your head, stream of consciousness style. No stopping, don’t let your pen leave the page. Set a time for five minutes and just go for it, no editing, no fiddling with grammar, no checking spelling. If you don’t know a word then just put a question mark beside it. Even if you’re only writing “I don’t’ know what to write, this is silly, that’s fine. You can complain as much as you like, just keep writing. Find a writing prompt, set a timer, and go for your life. Write as fast and as much as you can in those five minutes. You’ll be surprised what you can do. Get used to writing rubbish 😊 Once you’re used to that, then you’re free to go! You will need to edit what comes out later, but just think of all the words you’ll have to play with.

2. Keep a journal

Use the free-writing technique to write a journal. Every day write at least an A4 page by hand, letting words flow off the top of your head onto the page. The more you write, the more natural your voice becomes. If you are too busy to do this every day, every second day will do. Writing, like anything else, is all about practice. The more you practice the better you get. The more you get used to writing completely naturally without thinking about sounding flash or clever, the more your natural voice will emerge.
3. Look at emails, letters or texts you send friends – are they different to the way you’ve being trying to write stories/ poems etc? Do you sound like you? If you feel uncomfortable writing in any form it may not. But I’m guessing if you’ve picked this book up then you’re a writing kind of a person and those messages to your friends and family are lighter and more natural than the artificial voice you may have been trying to put on for your writing. Next time you write a story pretend you’re writing to a friend instead of some imaginary publisher.

3. Look at emails, letters or texts you send friends

Are they different to the way you’ve being trying to write stories/ poems etc? Do you sound like you? If you feel uncomfortable writing in any form it may not. But I’m guessing if you’re reading this up then you’re a writing kind of a person and those messages to your friends and family are lighter and more natural than the artificial voice you may have been trying to put on for your writing. Next time you write a story pretend you’re writing to a friend instead of some imaginary publisher.

4. WRITE!

Write every day, whenever you can. Scribble down what you see while you’re on the bus. Who is that strange woman in the purple hat and too much pink lipstick? What’s her story? Play with your imagination. Write down your dreams and give them another chapter. Fill notebooks with lots of messy writing about anything that takes your fancy. Write until it comes naturally.

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Have you found your voice yet? How do you know? I’d love to hear from you if you’d like to leave a comment.

If you’d like to receive more writing hints and tips, drop me a line here.

And if you’d like a whole weekend of writing and yoga to get those creative juices flowing then see HERE for my next retreat.

Until next time – HAPPY WRITING!

Lots of love

Edwina xx

SUBMIT! SUBMIT! SUBMIT! The 10 Point Plan to Publishing Success.

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Whether you’re a writing newbie or an old hand like me there’s one rule that stays true – in order to get published you need to submit. Scary, but true.

You want someone to read them, right?

When I first started writing in earnest back in 2002, I wrote short stories while my young children were having their naps. I joined the QLD Writers Centre and formed a writers’ group with a few women I’d met in workshops. After they’d given me advice and positive feedback, I felt brave enough to send some stories out to competitions.

crying babyIt took guts. I know how scary it is to even have anyone else read your work, but then submitting to competitions or publishers can feel like you’re sending a newborn off to face the world alone, without even a blankey. I was filled with anxiety but also a trembling hope.

I was thrilled when I won the Avid Reader short story prize and was published in a free local newspaper. When I went to collect my $50 book voucher from Avid Reader bookstore, I felt as if I’d made the New York Times best seller list and was beaming ear to ear when Krissy Kneen helped me pick out a book. I chose Bird by Bird by Anne Lamott which is still one of my favourite books on the writing life.

It gave me the courage to send out more stories, and the following year I came runner up in the Josephine Ulrick Prize and had two more stories published! I was beside myself. This writing gig wasn’t as tough as I thought it would be.

Then I started work on a novel and my publications list dried up. I was still writing but I’d forgotten I was supposed to submit stories as well. It felt like my beginner’s luck had dried up. I was yet to learn that the trick is to keep submitting anyway. Persistence is the key. Write, write, write. Submit, submit, submit!

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Which brings me to THE 10 POINT PLAN!

My writing buddy Fiona Robertson first told me about the 10 Point Plan a few years ago, when I’d let my submissions dribble to just about nothing as I focused on full length works. She’d heard about it from someone at her writers’ group, who’d heard about it from someone else, and so on. If anyone knows who actually thought of it, please let me know because I’d like to give them the credit and thank them.

It goes like this.

Aim to have at least 10 points out in submissions at any time and you will inevitably get published. It may not happen straight away but keep on writing, redrafting and sending those stories out and I promise you that sooner or later IT WILL HAPPEN!

1 Point per story or essay/article/pitch.

3 Points per full length work or grant application

However, I’d still aim for 10 points worth of short pieces out at the same time, because they’re easier and those small wins feel really great.

If you’re starting out, it will take time to amass the number of pieces you need to have them to submit, but it’s a great motivator to do so. If you’re writing something longer, like a full-length memoir or a novel, think about whether there are sections you can excerpt and edit to create fully self-contained pieces.

A lot of journals and competitions these days ask you to either subscribe to their publication or pay a hefty entry fee. If you’re flash with cash go right ahead – it’s great to support small presses and literary journals. However, there are still places you can submit stories at a low cost or even for free. These are my favourites. Some journals will allow simultaneous submissions – this means submitting your story to other journals at the same time, but always check each publications requirements.
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Keep an eye out in the Opportunities sections of your local writers’ centre and join online writing communities that share publishing opportunities and competitions. I belong to several and select the best of these to share with my writing friends.

If you’d like to be kept in the loop, join my writing gang HERE.

The 10 point plan keeps me on my game and makes sure I’m submitting stories, redrafting and resubmitting and best of all creating new content to send out – that’s the fun part. I write down everything I submit in a special hardcover book I keep at my desk and record when I sent it, and also when I should expect to hear back.

When I get a rejection, I cross it out – sometimes if I’m very disappointed, with lots of thick black scribble. Rejections aren’t personal, they’re stepping stones to success, I remind myself.

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And sometimes I get a big fat glorious YES! When that happens, I highlight my entry in pink, draw stars all around it and dance like a happy fool.

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Those emails you get accepting your work for publication are worth framing – well at least worth printing out and sticking to your wall for a while. Even the good rejections that come with a personal comment about how close you got, with advice on redrafting and asking for other stories feel like wins. And they are.

So hop to it and start submitting today. Think of it as a lottery. The more entries you have the better the odds.

I’ve just hit my 10 points for this year. How many points do you have out?

If you’d like to be kept in the loop about competitions and journals to submit to plus also get writing hints and tips, join up HERE to become a part of my writing community. I’ll do my best to help you succeed in your dreams to get published.

GOOD LUCK with all those submissions!

Lots of love
Edwina xx

“HELP!!!!” she screamed loudly. Do’s and Don’t’s for Writing Good Dialogue

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Dialogue is the most immediate mode of expression in writing prose. Used correctly it brings your writing to life, be it fiction, memoir, creative non-fiction or even personal essays. It’s importance in screenplays is vital. Done well, dialogue can move the plot forward, build multi-dimensional characters and add layers of complexity you didn’t even know were there.

However, it can be notoriously tricky, and some new writers find it so difficult to manage that they avoid it completely to the detriment of their writing. So here are some of my best tips for writing effective dialogue.

DOKeep it short and sweet – or not so sweet. While there is sometimes a place for a poetic monologue the best advice I’ve ever been given is LESS IS ALWAYS MORE. Cut the beginnings and endings of your dialogue sentences. Cut excess sentences altogether. How can you say it with less? How can you almost say it, so the reader has to fill in the blanks themselves?

DON’TUse dialogue to explain or describe what went on in a previous scene. If a reader has read that scene, they’ll get it. If the dialogue isn’t adding a radical new viewpoint, or revealing information we didn’t already know, then never ever look back!

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DOMake sure the reader knows which character is speaking. The easiest way to do this is with proper punctuation and speech tags.

Each first line from each speaker is indented and the dialogue itself is enclosed in quotation marks. For example:
1.         “How do I punctuate dialogue?” Julie asked.
2.        “That’s simple,” said Edwina. “Find a good book that uses classical punctuation and follow their lead. The main rule is to put your punctuation marks inside the quote marks and to indent the first line but not the others.”

You don’t need to use classical punctuation, but it makes dialogue much easier to read. Some modern authors eschew it and use italics or other forms of punctuation, but I often then find it hard to tell who’s speaking and get frustrated. Suit yourself, just make sure it is clear who is speaking.

DON’TGo all fancy pants with your speech tags. “Said” is almost always best. It becomes invisible to the reader. Words like murmured, stammered, shouted, protested, and argued have their place, occasionally, but are best avoided. “Lied” is an exception. Keep it simple superstar!

DOGround your reader. This is good to keep in mind throughout your whole story, but especially in long stretches of dialogue when your characters can become talking heads floating in space. Even if they are floating in space, most especially then perhaps, slide in a few words describing setting or actions, that place the conversation in a context.

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DON’TPut everything in. If your characters are out for dinner, for example, we don’t have to read their whole conversation about what they’ll order, and their interactions with the wait staff, unless this contributes to character development or plot somehow. If it’s boring in real life, it’s extra boring on the page. Writer friends of mine have learnt this the hard way by transcribing recorded conversations. Your job as a writer is to trim out the boring bits and leave us with the juicy titbits!

DODifferentiate the speech patterns or habits of each character. After a while your readers should be able to tell each character apart from the way they speak. If your characters are all from similar cultural backgrounds this can be trickier, but if you listen in on conversations around you (put in your earphones, but don’t have your music on, and eavesdrop to get an idea of how people differ) you’ll see how we all have our own individual tics.

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DON’T Use capitals to indicate shouting, that’s what an exclamation mark is for.

DOUse character actions beside their dialogue to not only indicate who is speaking but to add to the tone or develop an undercurrent of meaning. For example:
1.          “What time is it?” Joan lifted her head from the pillow.
And      “What time is it?” Joan threw the saucepan full of cold soup at Brian’s head.

DON’TUse adverbs unless absolutely necessary. If you’ve done everything else right you just don’t need them.

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Here are the links to a couple of stories that use dialogue exceptionally well for you to get an idea of just how effective it can be.

Denis Johnson, “Steady Hands at Seattle General” – it doesn’t use classical punctuation, but it’s genius at creating an entire story almost solely in speech.

“Reunion” by John Cheever. It hasn’t indented the first line of each speaker but again, the dialogue demonstrates character in a way nothing else can.

Try writing your own story almost all in dialogue. Make it a hospital story like Denis Johnson’s or a reunion like Cheever’s.

Let me know how you go.

If you’d like more hints and tips on writing see my post here

or CONTACT  me HERE to get regular (but not too regular!) writing advice and news.

And if you’d enjoy a whole weekend full of learning about writing then come along to my next retreat, More information HERE.

I’d love to have you along.

Lots of love,
Edwina xx

THE SUNDAY TIMES/AUDIBLE SHORT STORY PRIZE!

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Hi everyone!

I just found this great short story competition that’s free to enter and has great cash prizes. Thirty thousand Pounds Stirling for the winner and one thousand each for six short listed authors, plus publication. Oh yes!

The only catch is that you need to have had something published in either the UK or Ireland. Lucky I have Ransom 🙂

So if you have already been lucky enough to have had a story published in the UK or Ireland click HERE for all the details. You’re only allowed one entry, so make sure it’s your very best work.

Then cross your fingers.

May the Writing Gods be with us all!

Wishing you all a Merry Sweaty Christmas from here in Brisbane.

Lots of love

Edwina xx

Writer in Residence

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Last week I had the honour of being Writer in Residence at St Patrick’s College  for the school’s Men of Words week. In the most beautiful teaching room imaginable, overlooking the Shorncliffe Pier and Moreton Bay, I shared my love of writing with all of the young men in years 7, 8 and 9.

We started each session with a general chat about the importance of reading, and the magic of reading and writing – the unique creation that is formed every time a different person interacts with a text. Then we got down to the fun stuff – RELAXING and WRITING!

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I love this shot because it’s such a joy to help everybody let go of their busy days and enter their imaginations. Love the boy in the jacket with the levitating arms!

Once everybody was calm, I led them into a creative writing exercise, entering a story world of their own, populated by characters of their own invention. Once they had a story in mind, I got them to roll over and write it – as fast as they could – with a time limit!

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Though I did end up with a few Fort Knight (a poplar game with teenage boys I’ve discovered!) stories, most of the writing that emerged was fresh and original, and some pieces were extraordinary. The bravest of boys read their stories aloud to the group. It’s amazing how many volunteers I had once I bribed them with a mint!

It was an absolute joy working with the young gentlemen, and hard-working staff, of St. Pat’s. I hope that my visit has helped to inspire a love of writing and reading that will last all their lives.

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To have me come along and do writing workshops with your school or writing group please contact Speakers Ink. In the meantime – I’m off to the second ever RELAX and WRITE RETREAT for women. Three full days of yoga and writing 🙂 YAY!!