CRAFTING CHARACTERS THROUGH SETTING DETAILS

Looking for Clues

Writers are natural snoops, observers on the lookout for clues, closely examining the world around them to figure out how people work and uncovering their secrets. We can’t count on people to tell the truth about themselves, but we can discover what they’re leaving out by closely observing their surroundings.

The same goes for our characters. 

We can get our characters talking in dialogue, but they won’t give much away. What others say about them can give us more clues – so many different opinions. But really, all people, and characters, reveal their true selves by what they DO. That’s why charACTers must ACT! They can say one thing and do another, what they do is the truth.

But first, let’s find out as much as we can about our story people by examining their surroundings and possessions.

Specific Telling Details

When visiting someone’s home for the first time, or the thirtieth, we writerly types aren’t just settling into the couch but searching the room for telling details that give us insight into who our friend really is. 

Pictures of family stuck to the fridge? Faded pixie photos of children in school uniforms with outdated hairstyles? Wall calendars stacked on top of each other hanging from the nail on the wall. Fresh flowers from the garden, or dusty plastic bouquets forgotten on top of cabinets. Carpet or polished floors? Kitchen benches scattered with leftovers from preparing the last meal, butter melting in its container; or pristine benches smelling of bleach?

Every clue gives us vital information about our new friend, or how our old friend is coping. Those photos on the fridge are from a decade earlier, the first calendar on that piled upon hook date from the year their marriage fell apart. As you can see, details of a person’s living space provide us with lots of information. Don’t neglect these details in your writing.

Uncover Secrets

What’s your character’s lounge room like? What about the kitchen? Their bedroom? 

And just wait till you look inside their fridge, or even better, the bathroom cabinet. Is it stacked with pregnancy tests or haemorrhoid ointments? Herbal toothpaste and castor oil or expensive, chemical-laden beauty products? And what about music choices? AC/DC or Mozart? Disco or Jazz? Art on the walls? Abstract originals or Kmart prints of tigers? Fluffy toys on a grown man’s bed? Star Wars pillowcases on an older woman’s? A jungle of plants covering the kitchen table? A hallway narrowed to a pathway through mounds of stacked boxes and files?

A person’s character is shaped by their environment – the country we grow up in, the culture and religion we are born into, the weather and geography.  When you are developing your characters, think about where they come from, where they live and those small telling details you’d find in their home, handbag or pockets. We don’t need pages of description, but you can slide in important clues in half a sentence or two. 

“Fran opened the fridge to find all the organic vegetables she’d bought on Monday. They exhausted her.” Or “Bob stuck his hand into his pocket finding only the lucky rock he’d found as a kid and had carried ever since, and a crusty hanky he really needed to wash.”

I’m already thinking about that lucky rock and where Bob found it and why that rock, found on that faraway day, was so important. I know he’s not going to wash the hanky

TRY THIS

What is in your character’s pockets?

What’s in their fridge?

Go snooping in their bathroom, what clues can you find that give you insight into the past that shaped them and the person they’re dreaming of becoming?

We are, all of us, reaching for the future but dwelling on the past. What does your character really want? And what pain from the past is preventing them achieving it? Where do their thoughts get stuck in a loop? What’s their greatest dream?

Uncover your character’s hidden depths

Use your writing supersleuth powers to dig deep into the heart of every character that plays a major role in your story. Some people like to fill in imaginary questionnaires. 

But I don’t do that with new friends, I check out what they’re wearing. I snoop around their homes, grab a drink from their fridge. I clock similarities to myself and those interesting differences. Most of all I search for clues to their past and what’s shaped them.

Go snooping in your character’s lives and freewrite about what you find. Only snippets may find their way into your story, but you may just stumble upon what really makes them tick.

That new friend may have frozen rats in the freezer, photos of two concurrent love interests on the fridge and heavy-duty tranquilizers in the cabinet (and you’d always thought they were just so naturally calm!).

Use all these setting elements to develop your character and make them more than just a stereotype. Create interesting, fully-rounded characters, shaped by their pasts, grasping for a dream, and reflected by their surroundings.

If you’d like to learn more about CHARACTER DEVELOPMENT I’m running a FREE CREATING CHARACTERS WORKSHOP at Elanor Library on the Gold Coast on Saturday February 1, 2025. Did I say FREE? Book in HERE.

And if you’d like to explore the myriad ways you can add depth, meaning, emotional undercurrents and so much more to your writing through setting details, then join me at the Queensland Writers Centre in South Brisbane on Sunday March 9 for a full day masterclass on SETTING – MORE THAN JUST THE SCENERY. Book in HERE

Give some of these exercises a go and discover what really makes your characters tick!

Let me know how you go! Come along to one of the workshops! I’d love to see your smiling face.

Lots of love

Edwina 🙂 xx

NINE QUESTIONS FOR STORY SUCCESS

Is this you? Scribbling away on your story surrounded by books? Photo by Maria Maria Acha-Kutscher from Womankind magazine

Uta Hagen, an acting coach, came up with the following approach for actors, based on the Stanislavski method of inhabiting characters, which we can apply to our writing. As in my recent freaky character exercise where we imagine ourselves being in our characters’ bodies, this time too we’re getting right into the character’s mindset, but also thinking about their place in the entire story.

Whatever stage you’re at in your story, and whether it’s fiction, or memoir, ask yourself:

  1. What is the story about? What is it really about? Answering this pair of questions seven times will help you drill right down to the key message or themes at the heart of your story.
Another great photo from Maria Maria Acha-Kutscher.
  1. What is the tone/genre of the story? Are you writing a light-hearted rom-com, or a dark supernatural thriller? Even if you know your genre – drill down deeper to find the right tone. EG: you can have a quaint historical murder mystery, or a grim political murder mystery. Once you have this clearly in your mind, apply it to your story throughout. 
Depending on your tone or genre this tree could be a spooky evil spirit, or a kooky frog-like friend.
  1. Whose story is it? Which character is your protagonist? Even if you have multiple protagonists, one character will have a little more power than the others. See my article on managing point of view for more on this. This character’s journey through the story is the most important.
  1. What are the basic circumstances of the story (what has happened to the character, what is happening, and what will happen)? Remember your character must ACT! Action and movement, and character changes are not-negotiable if you want to write a story people will want to read.
  1. What does your character want? What is your character’s main story goal? To save the world? To find her daughter? To become a movie star? What is the outward goal, manifested in the physical world?
  1. What does your character need? What is their emotional or spiritual goal? On a deeper level, what is this character really yearning for. Often their physical goal will not bring them this. What will?
  1. How does your character change? What is their story arc? How do they learn and grow through the story? How can you show them overcoming their fears or weaknesses, and transforming them into strengths? 
Photo by David Radomysler on Pexels.com
  1. What is the main conflict of the story? Put simply, what opposition is there to the character’s goals – both their conscious and sub-conscious goals. See Suspense = Hope + Fear for more on this.
  1. What is at stake? If the character fails to achieve their goals, what’s the worst that can happen? It doesn’t have to be the whole world blowing up, but it does need to feel like that for your character. If they don’t destroy the comet the world will explode. If she doesn’t find her daughter, she’ll forever be heartbroken. If he doesn’t come out, he’ll live his whole life as a lie.
Photo by Shahadat Hossain on Pexels.com

Nutting the answers to these questions out before you start in can really help you narrow your focus and concentrate on what is most important to get across in your writing.

But really you can apply these questions at any stage of writing, second draft, half way through, 10 000 words in. Make sure there’s enough at stake and that you’re continually moving your reader between the hope that the character will achieve their goals and be happy, or the fear that they will fail and everything will be ruined forever. Make sure your character is taking action, not just reacting and make sure that no matter how good their intentions, sometimes these actions backfire and make everything worse!

Have fun playing with these! More next time.

Until then! Write like the wind!!

Lots of love

Edwina xx