DO YOU NEED A WRITING BUDDY?

Writing can be a lonely business but it needn’t be! The greatest joy of my writing life is connecting with other writers, through my workshops, editing and retreats, but even more so connecting with other writers who help me iron out the problems in my own work – my writing buddies!

Over the years I’ve had several different writing buddies and some that have lasted the whole long way. These writing friends hold a special corner of my heart. A unique trust develops as we share often deeply personal work and help each other figure out how to make the words sing, how to get the message across more clearly, or how to fix that awful character you just can’t figure out.

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Can’t see the forest for the trees?

When we’re writing, especially longer works, it can be hard to see whether the structure is working or if our characters are likeable for all the words in the way. We can’t see the forest of our book for the trees of our laboured-over words. This is where the eyes of another kind writer can help. Another writer can stand above our forest and show us the way through. They can say, “Hey, you’ve veered off to the left here, away from the main story, time to get back on track,” or “Hmmm, seems like you lost one of your characters after chapter 3,” or “Wow, your dialogue is great, but a lot of the time I don’t know which forest we’re in. You need more setting detail.” You get the gist.

Gay and I have been writing buddies for a while now (as well as retreat buddies).

Friends and Family?

We can show our writing to friends and family and they may say nice things… Marion’s partner famously said, “Jolly good,” about everything she wrote. Or they can say not so helpful things like, “Who’d want to read that?” like my ex once did. If your family member or friend is an avid reader or a writer themselves, then their feedback is useful and of course we want to keep them as our cheering squad, BUT if we want useful, applicable advice, it needs to come from someone on the same path – a fellow writer.

Enter the Writing Buddy

If you’re lucky you already belong to a writing group where members read and critique each other’s work. Keep these groups small, no more than five, or the feedback can become overwhelming. But really you just need one good writing friend who you can show work to when you’ve gone cross-eyed reviewing it on your own. That fresh pair of eyes to see what you’ve become blind to is invaluable, a treasure in fact.

For many years my writing buddy Helena and I exchanged manuscripts and helped each other polish them to publishable standard. My friend Marion was also invaluable. Now I belong to a writing group of five authors whose help is incredibly useful, even just doing short pieces. And I have wonderful feedback buddies in my international retreat cohost Kerstin Pilz and my other retreat friends. Every reader willing to give feedback is a valued gem, even if all they do is fix typos. But the very best writing buddies can see the big picture of what you’re trying to achieve and help you get there.

How do you find a writing buddy?

I met my first writing buddy, Marion, at a QLD Writer’s Centre Workshop – we caught the bus together and started a writing group as we chatted on the way home. Helena and I met as students doing the Mphil in Creative Writing at UQ. I met Vahida my lovely new writing buddy on a retreat at Varuna House. And now I have my writers group made up primarily of fellow writing tutors at UQ and my treasured retreaters, including the beautiful Gay whose new book is coming soon! Can’t wait!

So to find your writing buddy I recommend you go places you’ll meet other writers in real life. Online buddies are okay, you can get critiques from people on GoodReads and other online places like fan fiction sites, or through Facebook groups. Attend writing workshops, treat yourself to a retreat, connect with like-minded writers who have a trick or two up their sleeves and arrange to meet regularly to exchange work for feedback. Don’t be afraid to ask, “Hey, would you like to swap work for feedback sometime?”

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Why feedback matters

Of course you can continue blithely on your merry way alone, but feedback from a fellow writer will only improve your work and increase your chances of publication, or a wider readership. Feedback points out problems we may not have seen, but deep in our guts knew were there. Feedback shows us what our strong points are and where we may need a bit more practice. Feedback shows us that someone has read our work with attention to detail and cares enough to help us improve it. Feedback matters.

Have you got a writing buddy? Or a writing group? Do you swap work and compare notes on your writing? If not, why not? Start now!

If you’re still looking, then sign up for a few workshops or come along on a retreat and find your people, ask one or two of them if they’d like to share work for feedback, or make a writing group.

Writing buddies make writing more fun!

We all need friends in this crazy business full of rejection and criticism from strangers. Our books are our precious creations and beginning to show our work to trusted fellow writers toughens up our writerly skins to prepare us to share our writing with the world. Writing buddies cheer us on when we get a lucky break and help us drown our sorrows when a rejection hits hard. They encourage us to brush ourselves off and get back on the horse that threw us, sit back at the desk and start writing again. Besides, writers’ meetings can include food and wine and lots of laughter.

Have fun! Life is short, find a writing buddy to share your love of words today!

Lots of love

Edwina 🙂 xx

BEWARE INFO DUMPS! And How to Fix Them.

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You’ve started your story with a bang, like you’re supposed to. You’ve got a great hook, a killer first scene and everything is coming up roses, but then you start explaining. And explaining. Filling the reader in on every little detail they need to know about your protagonist, right from when and where they were born and their parents troubled histories, and their schooling and how they were bullied as kids and were jealous of their sisters and then started work, but that first job just wasn’t a right fit and… Twenty pages later, your story comes back to your exciting hook. But your reader has already left the building.

What you’ve just done is an INFO DUMP! So easy to fall into, trickier to get out of.

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Info dumps come in many forms, and most writers have done one, at least once! They’re a first draft hazard, when we’re still figuring out who our characters are. But don’t worry, they can be fixed.

BACKSTORY DUMPS

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The first type of info dump that most writers fall into is the kind described above, a whole lot of information about the character, their formative years and family. This is important to know, as the writer. Not so much for the reader who’ll pick up key points about this background as they read the story that hooked them. Writers need to have a thorough knowledge of their characters, so we write about them and really get to know every detail in our first drafts. Info dumps also happen a lot in memoir, where perhaps the background information is more relevant. However, if you drop everything into one big pile, especially at the start of a story, the reader will turn away. 

You’ve grabbed them with the hook, and they want to keep reading that story, not some long-winded explanation of why the character is the way they are.

REMEDY

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All your work has not been wasted. Use that information to drip feed to your readers on a “need to know” basis. Keep secrets about the past and reveal them in phrases or sentences around key plot points in the story that hooked your readers in the first place. You need to know everything because that will help you shape your characters’ actions, but let the reader infer most of the backstory, dropping in snippets where relevant or important.

And keep that big traumatic secret for as long as you can, ready to reveal when your character is at their lowest point.

RESEARCH DUMPS

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This dump occurs a lot in historical fiction or in memoirs where the author has gone down the rabbit hole of family history research right back to the 1600s! Now, it’s wonderful to have all this new knowledge, but when you dump it all on the reader in one big whammy, they’ll feel like they’re reading a textbook, not a narrative. So, even though you’re now the expert on a certain rare bee for example, don’t inflict the reader with page after page of everything you’ve learnt, no matter how interesting.

You’ve captured their attention with your great story hook, don’t let that fish wriggle off the line by expecting them to be as interested as you are in your pet research topic. 

REMEDY

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Your job now is to seamlessly interweave the most vital and relevant information through your plot, setting and characters, to make it seem as if the research isn’t even there, but that the world you’ve created is real and accurate. Your research must be revealed through characters, settings and plot points that demonstrate the knowledge you’ve gained. Not in one big ugly dump, but in every specific detail you share about the time and place, and through the way characters act and interact.

DIALOGUE INFO DUMPS

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Take either of the dump categories above and insert all the information into someone’s very long section of dialogue and you have a Dialogue Dump. Don’t do it. Ever. Or your reader will end up looking like the poor fellow in the photo!

Dialogue is a stylised form of expression more akin to poetry than actual conversation. It is always best kept brief, except of course for the occasional monologue, but don’t let even them run on too long.

REMEDY

Remove all dumps from dialogue and find another way to include only the most important information. If you need to have your characters explain their pasts for the sake of the plot, then give them a potent line or two but paraphrase the rest and cut back as much as you can while retaining meaning. If you’ve dumped a whole lot of plot information into a character’s speech, cut right back and reveal anything extra in another way.

Photo by Mia Stein on Pexels.com BEWARE THE INFO DUMP DRAGON!

So beware the info dump! By all means, let yourself go in your first draft and write as much as you like about every character’s past or the specialness of that bee, or the shoes they wore in 16th century Spain, just don’t let it slide into your second draft without serious consideration of how, where and why you insert it. If you’ve included over a paragraph or two of backstory or research details, you’ve gone too far. Cut back. Sometimes all you need is a phrase or a sentence or two.

I hope that helps you slay your Info Dump Dragons and write the very best book you can. Do let me know if you found this useful!

Write like the wind!

Lots of love,

Edwina xx